Haymarket RIOT
Social theory translated into moving image, sound, montage and early networked media.
Projects are grouped as an archive of media systems: tactical, virtual, low-resolution, woven, augmented, scanned, collaborative and synthetic.
Social theory translated into moving image, sound, montage and early networked media.
Corporate language, parody and institutional mimicry used as artistic and political media.
A nonlinear work on art, resistance and control in digital culture.
The web as medium: browser as gallery, link as gesture, the network as a public, contested space.
A networked homage to On Kawara: the website as a machine for marking days, presence and existence.
A nonlinear documentary on suburban expansion and the American landscape as mediated interface.
Objects and images about belief, verisimilitude, commodity culture and technological miracles.
A pioneering Second Life performance collective extending Dada, Fluxus and tactical media into virtual space.
A long-term investigation of pixelation, degraded images, compression and seeing with less.
Imagined territories — Vicapore and Duntoria — transmitted line by line as banded, lossy images.
The audible layer of the practice: signal, noise, sonification and listening as a way of reading media.
A major turn toward the object: digital works translated into physical form.
Pixels, glitches, AI images and screen culture translated into woven computational objects.
Asemic writing and machine learning used to examine gesture, authorship and deep structure.
Augmented reality as a struggle over who can annotate public space.
AR as a claim on public space: who gets to annotate buildings, borders, monuments and airspace.
A Middle Eastern VR world of tiny planets, architecture, memory and literary homage.
Captured space re-authored as navigable, intimate worlds — tiny planets, pandemic rooms, forbidden countries.
An existential record of COVID isolation in the UAE made through 3D scans, video and fractured virtual space.
Joint projects with Negin Ehtesabian exploring distance, domesticity, media and transnational imagination.
A collaborative work with Negin Ehtesabian using Google Earth VR to visit forbidden or inaccessible countries.
A collaborative installation on uncertainty, home, water, migration and shared domestic imagination.
A speculative exhibition in which a human curator visits the studios of 50 AI artists.
Machine-learning pattern works drawn from Persian, Azeri and Armenian carpet traditions.
A critical AI project reflecting on Joseph Beuys, environmentalism, NFTs and the carbon cost of synthetic images.
Machine learning as material and subject — GANs, generative image, woven AI and the politics of the synthetic.
Critical writing and exhibition-making as parallel forms of media practice.